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- AutorIn
- Fabian Kolb
- Titel
- Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925
- Zitierfähige Url:
- https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-725771
- Konferenz
- Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn / Detmold, 23. bis 26. September 2019
- Quellenangabe
- Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019 - 1
Herausgeber: Rebecca Grotjahn, Nina Jaeschke
Bandnummer Schriftenreihe: 1
Seiten: 168-190
DOI: 10.25366/2020.42 - DOI
- https://doi.org/10.25366/2020.60
- Abstract (EN)
- The central role that avant-garde music and dance theatre played in the interplay and synthesis of the arts and media in the 1920s, particularly in Paris, is well known. However, the creative potential of ballet has hardly been recognized in its manifold relationships with film and cinematic-inspired expression. The extent to which especially ballet music interacted with the latest cinematographic principles and techniques and referred to cinematic aesthetics in a variety of ways can instructively be seen regarding the productions of the Ballets Suédois. This is discussed in this article with an exemplary look at Les Mariés de la Tour Eiffel (1921), Within the Quota (1923), Skating Rink (1922) and Relâche (1924). By that it becomes clear that the transmedia inclusion of cinematographic ideas not only inspired the vocabulary of avant-garde dance and modern choreography, but was also distinctively reflected in the conception and composition of film-affected music.
- Freie Schlagwörter (DE)
- Tanztheater, Ballett, Film, filmische Ästhetik, filmisches Komponieren, Intermedialität, Avantgarde, Ballets Suédois, Rolf de Maré, Jean Börlin, Groupe de Six, Georges Auric, Darius Milhaud, Francis Poulenc, Germaine Tailleferre, Arthur Honegger, Jean Cocteau, Les Mariés de la Tour Eiffel, Cole Porter, Charles Koechlin, Gerald Murphy, Sara Murphy, Within the Quota, Charlie Chaplin, Fernand Léger, Ricciotto Canudo, Skating Rink, Francis Picabia, Erik Satie, Relâche, René Clair, Entr‘acte
- Klassifikation (DDC)
- 780
- Klassifikation (RVK)
- LP 13000
- Herausgeber (Institution)
- Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold
- URN Qucosa
- urn:nbn:de:bsz:14-qucosa2-725771
- Veröffentlichungsdatum Qucosa
- 29.10.2020
- Dokumenttyp
- Konferenzbeitrag
- Sprache des Dokumentes
- German
- Lizenz / Rechtehinweis