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- AutorIn
- Annegret Huber
- Titel
- Die Pianistin spricht. Überlegungen zur Epistemologie von Vertonungsanalysen und ihrer Funktion in musikwissenschaftlicher Forschung
- Zitierfähige Url:
- https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-726441
- Konferenz
- Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn / Detmold, 23. bis 26. September 2019
- Quellenangabe
- Die Begleiterin – Clara Schumann, Lied und Liedinterpretation - 2
Herausgeber: Rebecca Grotjahn, Nina Jaeschke
Bandnummer Schriftenreihe: 2
Seiten: 44-63
DOI: 10.25366/2020.78 - DOI
- https://doi.org/10.25366/2020.83
- Abstract (EN)
- There is nothing fundamentally wrong with the premise that a pianist like Clara Wieck/Schumann ‘speaks’ in her song compositions. This, however, raises a number of epistemological questions that will be discussed in this article. First of all, an explicit distinction is made between the examination of the ‘technical’ aspects of her compositional practice – in German: Praktik – (which may allow conclusions to be drawn about the pianist’s implicit knowledge) on the one hand, and the social aspects of her discursive practice – in German: Praxis – on the other. Thus, it is also necessary to discuss the criteria that the structural-analytical methodology must satisfy, as well as to consider to whom the pianist is actually speaking: to us music researchers of the 21st century? Or should we ask ourselves whether our analysis is not rather a “reading of traces” in the sense of Sybille Krämer, through which we invent the ‘producer’ of the analyzed ‘trace’ in the first place? Or to put it another way epistemologically: how do we make the pianist speak? What function does our ‘speaking’ of her compositions – namely the piano parts in her songs – have in scholarly argumentations?
- Freie Schlagwörter (EN)
- music analysis, epistemology, praxeology, action theory vs. practice theory, historicizing practices, Clara Schumann, settings
- Klassifikation (DDC)
- 780
- Klassifikation (RVK)
- LP 13000
- Herausgeber (Institution)
- Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold
- URN Qucosa
- urn:nbn:de:bsz:14-qucosa2-726441
- Veröffentlichungsdatum Qucosa
- 30.10.2020
- Dokumenttyp
- Konferenzbeitrag
- Sprache des Dokumentes
- Deutsch
- Lizenz / Rechtehinweis