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- Titel
- Der Computer als Denkzeug für hermeneutische Arbeit
- Zitierfähige Url:
- https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-727377
- Konferenz
- Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn / Detmold, 23. bis 26. September 2019
- Quellenangabe
- Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation - 3
Herausgeber: Stefanie Acquavella-Rauch, Andreas Münzmay, Joachim Veit
Bandnummer Schriftenreihe: 3
Seiten: 3-26
DOI: 10.25366/2020.87 - DOI
- https://doi.org/10.25366/2020.89
- Abstract (EN)
- Computer science and the humanities seem to belong to two opposite sides within the spectrum of scientific methods and research. In the domain of digital humanities, however, formalization and hermeneutic interpretation have to be integrated. As will be argued in this article, this integration provides a fundamentally new challenge to both disciplines. In particular, researchers from the humanities want to be sure that using the tools provided by computer science (big data, machine learning, etc.) do not change insights in any non-expected way. However, even if this could be partially secured, it cannot be achieved in general for most of the research practices. As will be demonstrated in the context of digital editions in musicology, it is impossible to design technology in a neutral or context-free manner. Due to the interests of different actors and institutions, numerous design conflicts arise where the implementation of requirements violates other, equally valid demands. To balance these conflicting requirements invariably brings some bias to the overall design. Thus, it is important to develop a strategy for identifying potential influences as well as the impact of design decisions throughout the whole process of developing tools and infrastructures. The paper presents an approach for hypotheses driven design of digital tools and infrastructures from a computer science point of view, placing great emphasis on supporting mutual understanding and ensuring a transparent design process.
- Freie Schlagwörter (DE)
- Digitale Musikwissenschaft, computer science, digital humanities
- Klassifikation (DDC)
- 780
- Klassifikation (RVK)
- LP 13000
- Herausgeber (Institution)
- Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold
- URN Qucosa
- urn:nbn:de:bsz:14-qucosa2-727377
- Veröffentlichungsdatum Qucosa
- 09.11.2020
- Dokumenttyp
- Konferenzbeitrag
- Sprache des Dokumentes
- Deutsch
- Lizenz / Rechtehinweis
